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Author: Aira Birzina

Aira Birziņa (1968) graduated from the Jāzeps Vītols Latvian Academy of Music, Bachelor's degree in the class of Edgars Račevskis and Ivars Bērziņš (1992), Master's degree in the class of Imants Kokars (1995). Since 1997 she has been the conductor of the Ogre Women's Choir "Rasa", and since 2000 she has been conducting both the Women's Choir "Dzintars" and the Riga Dome Choir School Girls' Choir. Since 2003 she has been the chief conductor of the Ogre district choirs and the artistic director of the Ogre Music Festival. She has been the chief conductor of the XXIII and XXIV Latvian Song Festivals, the initiator and active organiser of several important choral music festivals and educational events. She has worked at the Department of Conducting and Vocal Pedagogy at the Riga Academy of Pedagogy and Educational Management, since 2006 she has been an assistant professor at the Jāzeps Vītols Latvian Academy of Music, and since 2011 - an associate professor of choral conducting. Together with the choirs "Ausma", "Dzintars" and the Riga Dome Choir School Girls' Choir she has won several important international choir competitions. As a lecturer she has conducted seminars, courses, master classes, as an expert she has served on various juries of Latvian choirs, vocal ensembles and young choir competitions, as well as on juries of international choir competitions. She has been a member of the Council of the choir sector at the Centre for Culture and Intangible Heritage for several years.
Inside the film there is TIARA Happens in the World

Inside the film there is TIARA

May 1, 2021Aira BirzinaLeave a Comment on Inside the film there is TIARA

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Activities 2022

December 26, 2022February 3, 2023
Requiem by Jean Richafort

The Requiem by Jean Richafort

December 26, 2022December 26, 2022
Sigurður Sævarsson una voce dall'Islanda

Sigurður Sævarsson, An Icelandic Voice

January 17, 2022January 17, 2022
Indagine sulla tradizione corale delle Filippine

A Survey of the Choral Tradition in the Philippines

January 15, 2022January 15, 2022
maestri si nasce o si diventa

Is one born or does one become a ‘Maestro’?

January 13, 2022January 13, 2022
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    • Inside the film there is TIARA
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    • A Choir in Every Classroom
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    • A Florentine Villanella Journeys North: A Case Study in Musical Transmission
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    • A Survey of the Choral Tradition in the Philippines
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    • A Good Musical Edition: Responsibility and Resource.
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    • Conducting the Treble Voice Choir
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    • The Singing Mass
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    • Choirs in…Suspension
  • 1 Giovanni Mirabile
    • Is one born or does one become a ‘Maestro’?
    • Ennio Morricone and Choral Music
  • 1 He Huang
    • The Origin of Modern Chinese Choral Music
  • 1 John Rutter
    • Did they mention the music?
  • 1 Luca Buzzavi
    • Lead Yourself to Lead the Choir
  • 1 Manolo Da Rold
    • Video presentation dedicated to Paolo Bon from the column ‘Italian composers of the twentieth century’ edited by ANDCI
  • 1 Maria Theresa Vizconde-Roldan
    • Young Voices Rise For Global Hope and Unity
  • 1 Nuria Fernandez Herranz
    • The Choral Movement in Spain from its Origins to the Present Day
  • 1 Paul Crabb
    • Training Choral Conductors in the Choral Culture of Sweden: Interviews with seven Prominent Swedish Conductors
  • 1 Roberto Brisotto
    • Choral Composition: the Work of a Musical Dressmaker
  • 1 Roberto Maggio
    • Activities 2022
    • The year 2021 report
    • Giving a Voice to Choral Music, Through the Voice of the Individual
  • 1 Vincenzo Di Betta
    • Architecture and Singing in seventeenth century in Rome
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